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Godowsky's Studies on the Chopin Etudes | 
| Creators: Godowsky, Carlo Grante Label: Music & Arts Program Category: Music
List Price: $31.98 Buy New: $17.40 as of 11/28/2009 01:21 CST details You Save: $14.58 (46%)
New (15) Used (8) from $14.98
Seller: oddbanana Rating: 2 reviews Sales Rank: 365387
Media: Audio CD Discs: 2 Shipping Weight (lbs): 0.3 Dimensions (in): 5.6 x 5 x 0.5
UPC: 017685109324 EAN: 0017685109324 ASIN: B00005QHQE
Release Date: January 1, 2006 Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Op. 10 No. 1 in C Major | | • | Op. 10 No. 1 in D Flat Major | | • | Op. 10 No. 2 in A Minor | | • | Op. 10 No. 2 in A Minor | | • | Op. 10 No. 3 in D Flat Major | | • | Op. 10 No. 4 in C Sharp Minor | | • | Op. 10 No. 5 in G Flat Major | | • | Op. 10 No.5 in C Major | | • | Op. 10 No. 5 in A Minor | | • | Op. 10 No. No. 5 in A Major | | • | Op. 10 No. 5 in G Flat Major | | • | Op. 10 No. 5 in G Flat Major | | • | Op. 10 No. 5 in G Flat Major | | • | Op. 10 No. 6 in E Flat Minor | | • | Op. 10 No. 7 in C Major | | • | Op. 10 No. 7 in G Flat Major | | • | Op. 10 No. 7 in E Flat Major | | • | Op. 10 No. 8 in F Major | | • | Op. 10 No. 8 in G Flat Major | | • | Op. 10 No. 9 in C Sharp Minor | | • | Op. 10 No. 9 in F Minor | | • | Op. 10 No. 9 in F Sharp Minor | | • | Op. 10 No. 10 in D Major | | • | Op. 10 No. 10 in A Flat Major | | • | Op. 10 No. 11 in A Major | | • | Op. 10 No. 12 in C Sharp Minor | | • | Op. 25 No. 1 in A Flat Major |
Disc 2
| • | Op. 25 No. 1 in A Flat Major | | • | Op. 25 No. 1 in A Flat Major | | • | Op. 25 No. 2 in F Minor | | • | Op. 25 No. 2 in F Minor | | • | Op. 25 No. 2 in F Minor | | • | Op. 25 No. 2 in F Minor | | • | Op. 25 No. 2 in F Sharp Minor | | • | Op. 25 No. 3 in F Major | | • | Op. 25 No. 3 in F Major | | • | Op. 25 No. 4 in A Minor | | • | Op. 25 No. 4 In F Minor | | • | Op. 25 No. 5 in E Minor | | • | Op. 25 No. 5 in C Sharp Minor | | • | Op. 25 No. 5 in B Flat Minor | | • | Op. 25 No. 6 in G Sharp Minor | | • | Op. 25 No. 8 in D Flat Major | | • | Op. 25 No. 9 in G flat Major | | • | Op. 25 No. 9 in G flat Major | | • | Op. 25 No. 10 in B Minor | | • | Op. 25 No. 11 in A Minor | | • | Op. 25 No. 12 in C Sharp Minor | | • | Methode Mosch.: Fetis No. 1 in F Minor | | • | Methode Mosch.: Fetis No. 2 in E Major | | • | Methode Mosch.: Fetis No. 2 in D Flat Major | | • | Methode Mosch.: Fetis No. 3 in G Major | | • | Op. 10 No. 5 and Op. 25 No. 9 in G Flat Major | | • | Op. 10 No. 11 and Op. 25 No. 3 in F Major |
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| Customer Reviews: Miraculous February 13, 2002 5 out of 5 found this review helpful
Grante's insights into Godowsky's mazelike world offers the most detailed attention to counterpoint, revealing with spectacular finish, sparkling clarity and a daredevil mechanism innumerable details of voicings that the composer expressly sought, as can be evidenced by an acute study of these scores. These performances succeed further by their executant's rhythmic characterization, where he pushes, pulls, teases if never actually seduces melodic lines and inner voices, intuitively emphasizing subtle dissonances and their resolutions for their intrinsic emotional value. Never does Grante impress upon the listener a need to impress through his mechanism, which is in any case perfect in its precision, velocity, and most importantly its direction by the most acutely perceptive listening apparatus. Grante's pearly clarity and stunning ease of execution alone are worth the price of admission, and the whole is an astounding accomplishment of concentration, poise and authority.
Miraculous February 13, 2002 2 out of 2 found this review helpful
Grante's insights into Godowsky's mazelike world offers the most detailed attention to counterpoint, revealing with spectacular finish, sparkling clarity and a daredevil mechanism innumerable details of voicings that the composer expressly sought, as can be evidenced by an acute study of these scores. These performances succeed further by their executant's rhythmic characterization, where he pushes, pulls, teases if never actually seduces melodic lines and inner voices, intuitively emphasizing subtle dissonances and their resolutions for their intrinsic emotional value. Never does Grante impress upon the listener a need to impress through his mechanism, which is in any case perfect in its precision, velocity, and most importantly its direction by the most acutely perceptive listening apparatus. Grante's pearly clarity and stunning ease of execution alone are worth the price of admission, and the whole is an astounding accomplishment of concentration, poise and authority.
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