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Caprice - Alison Balsom | 
| Creators: Jean-Baptiste Arban, Johann Sebastian Bach, Claude Debussy, Manuel de Falla, Oskar Frederik Lindberg, Wolfgang Amadeus Mozart, Niccolo Paganini, Astor Piazzolla, Sergey Rachmaninov, Henri Tomasi, Edward Gardner, Gothenburg Symphony Orchestra, Alison Balsom
Label: EMI Classics
Category: Music
List Price: $16.98
Buy New: $6.00
as of 11/8/2009 01:10 CST details
You Save: $10.98 (65%)
New (29) Used (9) from $6.00
Seller: massbookstore
Rating:  14 reviews
Sales Rank: 91019
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 53255
UPC: 094635325522
EAN: 0094635325522
ASIN: B000HKD7OY
Release Date: October 3, 2006
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Piano Sonata No. 13 in B flat major, K. 333 (K. 315c): Rondo alla turca | | • | Libertango, tango | | • | Gammal Fäbodpsalm (Old Pastoral Hymn), for organ: Andante | | • | Variations on a Theme from Bellini's 'Norma, ' for cornet & piano | | • | Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24 | | • | Popular Spanish Songs (7), for voice & piano, G. 40: El paño moruno | | • | Popular Spanish Songs (7), for voice & piano, G. 40: Seguidilla murciana | | • | Popular Spanish Songs (7), for voice & piano, G. 40: Asturiana | | • | Popular Spanish Songs (7), for voice & piano, G. 40: Jota | | • | Popular Spanish Songs (7), for voice & piano, G. 40: Nana | | • | Popular Spanish Songs (7), for voice & piano, G. 40: Canción | | • | Popular Spanish Songs (7), for voice & piano, G. 40: Polo | | • | Vocalise, song for voice & piano, Op. 34/14 | | • | Die Zauberflöte (The Magic Flute), opera, K. 620: Der Hölle Rache (Queen of Night's aria) | | • | Concerto for violin, strings & continuo No. 1 in A minor, BWV 1041: 2. Andante | | • | Syrinx, for solo flute, L. 129 | | • | Concerto for trumpet & orchestra: 2. Nocturne | | • | Escualo, tango |
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| Editorial Reviews:
Amazon.com
It is only natural that players of instruments with a limited repertoire should resort to transcriptions, citing a long line of arrangers from Bach to Liszt to Heifetz. However, the suitability of the material is as important as the skill of the transcriber, and you don't have to be a "purist" to object to some of Balsom's choices. Some of the transcriptions are her own, some are by Julian Milone, a violinist, who also provided the orchestrations of the non-orchestral accompaniments. Unfortunately they sound unnatural compared to Mozart's, in an aria from his Die Zauberflöte, and Bach's, in a movement of his A minor Violin Concerto. Two numbers are for trumpet alone: Paganini's 24th Caprice for violin, which keeps jumping from the highest to the lowest register, bringing out the worst of both, and Debussy's "Syrinx" for flute, which loses its languid character. The "Turkish Rondo" from Mozart's A major Piano Sonata is least satisfying: played in E-flat minor (instead of A minor), it sounds strident, and its breakneck pace destroys the original's grace and buoyancy. The arrangement often gives the melody to the orchestra and un-Mozartian virtuosic interjections to the trumpet. De Falla's Seven Popular Spanish Songs, orchestrated by Luciano Berio complete with castanets, come off better, and not surprisingly, two pieces by trumpet players are most successful: Jean-Baptiste Arban's Variations on Bellini's "Casta Diva," and the Nocturne from Henri Tomasi's Trumpet Concerto. Slow, dreamy and impressionistic, the Concerto is the only "original" piece on the program, and the listener wishes the disc had included all of it. On this record, the playing's the thing. Alison Balsom is a stunning virtuoso; she commands a huge register, a large range of dynamics and colors, and can achieve hair-raising speeds with ease and clarity. This is her second CD; the first was an all-Bach album. --Edith Eisler
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| Customer Reviews:
Showing reviews 1-5 of 14
 Beautifully Done! January 18, 2009
Penelope Dudley (San Rafael, CA)
I heard this on a local PBS station and had to have it! Ms. Balsom is amazing!
Amazing ! November 7, 2008
Jean-michel Ferrieux (Denmark)
Alison is probably World's current best trumpet soloist. She makes me shiver just as Maurice André did when I went to one of his concerts, almost 40 years ago.
Good girl, Alison, wonderful soloist, I love your music.
my favorite cd October 12, 2008
Maggie Andrews (Santa Barbara, CA)
I'd like to encourage anyone to try this cd, it's my favorite cd that I've owned. I like many genres of music, especially classical with its wide range of "musical colors" without words getting in the way. Classical is truly the most widely expressive in my opinion. This cd by Alison Balsom is most incredible to me each time I play it. Words aren't enough to describe it, you have to experience it. If I had to pick one word, it would be "sublime!"
Excellent trumpet music April 7, 2008
Deepak Seth (Hunt Valley, MD USA)
She did a good job, but I do not know much about classical music. Saw this on youtube, heard it, I liked it. So I bought it.
Dazzling! January 11, 2008
Grady Harp (Los Angeles, CA United States)
33 out of 33 found this review helpful
Titling a collection of works CAPRICE ('a disposition to do things impulsively') is entirely in keeping with the magnetism and flair of the talented, beautiful, and intensely musical trumpeter Alison Balsom. For this listener the introduction to Miss Balsom was a recent Los Angeles Philharmonic performance of contemporary works, the one being played by Miss Balsom was the exceedingly beautiful and treacherously difficult Bernd Alois Zimmermann 'Concerto for Trumpet and Orchestra: Nobody knows the trouble I see'. Witnessing the live performance of this gifted lass resulted in the immediate purchase of her recordings.
CAPRICE is a terrific collection of works arranged for trumpet and while such collections don't appeal on every level, for this recording Balsom makes it work. She is equally at home with Bach (of course), Mozart, and Paganini as she is with Debussy, Rachmaninov, de Falla, the infectious Piazzolla, Lindberg, and Tomasi. It is a varied recital, ably assisted by Edward Gardner conducting the Gothenburg Symphony Orchestra, and while not every 'transcription' feels right, the performances ring with an authenticity because of Balsom's assured technique.
With the technical skill Balsom possesses and the flair for interaction with not only the orchestra but also with the audience it seems obvious that she is secure on the ladder of success. She is an intelligent musician and a dazzling spirit! Grady Harp, January 08
Showing reviews 1-5 of 14
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