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Great Pianists of the 20th Century - Earl Wild ~ The Art of the Transcription |  | Artists: Christoph Willibald Gluck, Jean-Philippe Rameau, Johann Sebastian Bach, Richard Wagner, Nikolay Andreyevich Rimsky-Korsakov, Fritz Kreisler, Felix Mendelssohn, Gioachino Rossini, Fryderyk Chopin, Pyotr Il'yich Tchaikovsky, Adolf Schulz-Evler, Mily Balakirev, Henri Herz, Sigismond Thalberg, Leopold Godowsky, Earl Wild
Label: Philips
Category: Music
Buy New: $34.00
as of 11/28/2009 00:58 CST details
New (7) Used (7) Collectible (1) from $34.00
Seller: insomniacsonline
Rating:  3 reviews
Sales Rank: 205326
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
UPC: 028945699127
EAN: 0028945699127
ASIN: B00000IIYU
Release Date: April 13, 1999
Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Dance of the Blessed Spirits (Melody), arrangement (from 'Orfeo ed Euridice') | | • | Work(s): Unspecified Rigaudon, for piano | | • | Work(s): Unspecified Elegie, for piano | | • | Tambourin, for harpsichord in E minor (Pièces de clavecin avec une méthode) | | • | Toccata and Fugue, for organ in D minor, BWV 565 (BC J37) | | • | Tristan und Isolde, opera, WWV 90: Isoldens Tod, arranged for piano by Moszkowski, Moritz | | • | The Tale of Tsar Saltan (Skazka o Tsare Saltane), opera in 4 acts with a prologue: The Flight of the Bumble-Bee | | • | Liebesleid (Love's Sorrow), for violin & piano | | • | A Midsummer Night's Dream, incidental music, Op. 61: Scherzo | | • | Fantasia and Variations on Rossini's 'Semiramide,' for piano, Op 51 | | • | Moja Pieszczotka (My Darling), song for voice & piano, Op. 74/12, CT. 140 | | • | Wiosna (Spring), song for voice & piano, Op. 74/2, CT. 130 | | • | Zyczenie (The Wish), song for voice & piano, Op. 74/1, CT 129 | | • | The Swan Lake, ballet, Op. 20: Pas de quatre |
Disc 2
| • | Arabesques on J. Strauss II's 'The Blue Danube Waltz' for piano | | • | Fantasy on themes from Glinka's 'A Life for the Czar', for piano (1st version) | | • | Variations on 'Non Più Mesta' from Rossini's 'La Cenerentola', for piano, Op. 60 | | • | Fantasia on Donizetti's 'Don Pasquale' for piano, Op 67 | | • | Symphonic Metamorphoses on Johann Strauss's waltz 'Künstlerleben' | | • | The Man I Love, etude for piano (Virtuoso Etudes on Gershwin Songs) | | • | I Got Rhythm, etude for piano (Virtuoso Etudes on Gershwin Songs) | | • | Embraceable You, etude for piano (Virtuoso Etudes on Gershwin Songs) | | • | Fascinatin' Rhythm, etude for piano (Virtuoso Etudes on Gershwin Songs) | | • | Somebody Loves Me, etude for piano (Virtuoso Etudes on Gershwin Songs) | | • | Liza, etude for piano (Virtuoso Etudes on Gershwin Songs) | | • | Oh, Lady Be Good, etude for piano (Virtuoso Etudes on Gershwin Songs) |
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| Customer Reviews:
 Entertaining January 23, 2007
Alex (London, United Kingdom)
3 out of 3 found this review helpful
A very interesting pianist, this. He's an entertainer as well as a serious musician and he plays entertaining pieces. He is also a first class composer of transcriptions. Some of his charming Gershwin transcriptions (for which he is rightly famous) are included on this CD.
Earl Wild has an interesting pedigree in pianistic terms, having studied (if only briefly) with one of Liszt's many pupils. Technically he is often excellent, but some pieces seem to fall more easily under his fingers than others. For example, on another CD he makes rather a meal of Liszt's Grande Galope Chromatique but on this CD he plays superbly the fiendishly difficult Rachmaninoff arrangement of Mendelssohn's Midsummer Night's Dream Scherzo - a piece which never lets up in its demand for a deft touch, accuracy and speed. Whatismore, the Scherzo is recorded live, so no editing and barely a single wrong note or misplaced phrase. Bear in mind that Rachmaninoff himself is reputed to have had three takes at it before ending up with a recording he was satisfied with! Overall I don't think Wild has the same order of technical ability as Horowitz, Rachmaninoff, Rubinstein, Barere or Cziffra but he does demonstrate the vital ability to make certain pieces sound "right" in his hands. This certainly doesn't manifest itself in everything he plays, but more in the pieces where he seems to feel at home.
He has obviously put a lot of thought and work into some of these recordings and I would single out the Schubert-Tausig March, Rigaudon, the Midsummer Night's Dream Scherzo, his Gershwin and Tschaikovsky transcriptions and the Blue Danube arabesques as particularly charming and well-performed. I doubt anyone could play his beautiful Embraceable You transcription as well as him. The 2nd Hungarian Rhapsody is also good - solidly played and with plenty of gypsy spirit, and he doesn't pull the piece about all over the place like most pianists do. And the Bumblebee isn't bad either. Also excellent is Gluck's Melodie d'Orphee. He plays this beautifully with exquisitely judged balance and tone. It's a shame some of the other pieces aren't quite as good - Isolde's Liebestod is off target, unfortunately.
I think Earl Wild was one of the great transcribers and it's a shame he didn't write a lot more transcriptions because each one is a beautiful addition to the piano literature. His short and sweet transcription of the Pas de Quatre from Swan Lake (which he plays on this CD) is a total masterpiece. He also dared to play entertaining pieces and to indulge in showmanship, and why not? Why should a concert be a dry lecture? Yes, he is one of the great pianists but not because he had a unique sound or technique - more because he was a great and daring performer and because he made a contribution to piano literature for which the world ought to be grateful.
Riveting July 3, 2000
Gayle Greene (CA)
2 out of 3 found this review helpful
This is an incredible CD, marred only by audience coughing and the unnecessary, deafening applause at the end of most cuts, reminiscent of a sitcom laugh track (hence the 4 star rating instead of 5); otherwise, it would have been perfect. The excellent selection of music and Wild's virtuoso playing are both marvelous. I was particularly taken with the Bach fuge and the splendid Gershwin transcriptions. Don't miss this one!
 Redemption of the Transcription February 24, 2000
Stan VanSandt (Austin, Texas)
12 out of 13 found this review helpful
Be prepared: the first piece on this album weaves such a magical spell that you may be startled out of your chair by the applause at the end. The bulk of this collection is from a concert performance, and it was a humdinger. Wild not only displays his astonishing virtuosity, but demonstrates that many of these arrangements and transcriptions are valuable pieces of music in their own right. The Rameau becomes 20th-century neoclassicism through Godowsky and Wild. The Arabesques on the Blue Danube Waltzes becomes a more serious piece than the original ever was. And so on: the bottom line is it's an experience that you don't want to miss. The real gems of this collection, however, are not from the live recital: what I find myself going back to again and again are the Gershwin transcriptions by Wild himself. Breath-taking virtuosity, fascinating arrangements, a beautiful recorded sound, and some great tunes!
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