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The Complete EMI Recordings 1946-1984, Vol. 1: Orchestral [Box Set] | ![The Complete EMI Recordings 1946-1984, Vol. 1: Orchestral [Box Set]](http://ecx.images-amazon.com/images/I/21YT88OIdUL._SL160_.jpg)
| Creators: Hans Hotter, Otto Edelmann, Cecil James, Gunter Piesk, Manfred Braun, Mstislav Rostropovich, Bernard Walton, Herbert Stahr, Karl Leister, Leopold Wlach, Mily Balakirev, Bela Bartok, Ludwig van Beethoven, Hector Berlioz, Georges Bizet, Alexander Borodin, Johannes Brahms, Benjamin Britten, Anton Bruckner, Emmanuel Chabrier Label: EMI Classics Category: Music
List Price: $215.98 Buy New: $117.06 as of 11/27/2009 13:53 CST details You Save: $98.92 (46%)
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Seller: westendentertainment Rating: 15 reviews Sales Rank: 11905
Format: Box set, Enhanced Media: Audio CD Discs: 88 Shipping Weight (lbs): 5.4 Dimensions (in): 9.2 x 5.3 x 5.1
EAN: 5099951203825 ASIN: B000ZBPQEO
Release Date: April 1, 2008 Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| • | Die Fledermaus (The Bat), overture to the operetta (RV 503-1) | | • | An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) | | • | Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437) | | • | Perpetuum Mobile (Perpetual Motion), Ein musikalischer Scherz, for orchestra, Op. 257 (RV 257) | | • | Künstler-Leben (Artists' Life), waltz for orchestra, Op. 316 (RV 316) | | • | Wein, Weib und Gesang (Wine, Women and Song), waltz for orchestra (with voice ad lib), Op. 333 (RV 333) | | • | Sphären-Klänge (Music of the Spheres), walzer, Op. 235 | | • | Unter Donner und Blitz (Thunder and Lightning), polka schnell for orchestra, Op. 324 (RV 324) | | • | Der Zigeunerbaron (The Gypsy Baron), overture to the operetta |
Disc 2
| • | Donna Diana, opera: Overture | | • | Wiener Blut (Vienna Blood), waltz for orchestra, Op. 354 (RV 354) | | • | Transaktionen, waltz for orchestra, Op. 184 | | • | Delirien Waltz, for orchestra, Op. 212 | | • | Leichtes Blut (Light as a Feather), polka schnell for orchestra, Op. 319 (RV 319) | | • | Pizzicato Polka for orchestra, Op. 234 | | • | Tritsch-Tratsch-Polka (Chit-Chat Polka), for orchestra, Op. 214 (RV 214) | | • | Geschichten aus dem Wienerwald (Tales from the Vienna Woods), waltz for orchestra, Op. 325 (RV 325) |
Disc 3
| • | Symphony No. 2 in D major, Op. 73: 1. Allegro non troppo | | • | Symphony No. 2 in D major, Op. 73: 2. Adagio non troppo | | • | Symphony No. 2 in D major, Op. 73: 3. Allegretto grazioso (Quasi andantino) | | • | Symphony No. 2 in D major, Op. 73: 4. Allegro con spirito | | • | Maurerische Trauermusik (Masonic Funeral Music), for orchestra in C minor, K. 477 (K. 479a) | | • | Metamorphosen, study for 23 solo strings, o.Op. 142 (TrV 290, AV 142) |
Disc 4
| • | Adagio and Fugue for string quartet (or string orchestra) in C minor, K. 546 | | • | Divertimento No. 17 for 2 horns & strings in D major, K. 334 (K.320b) | | • | Symphony No. 5 in C minor ('Fate'), Op. 67: 1. Allegro con brio | | • | Symphony No. 5 in C minor ('Fate'), Op. 67: 2. Andante con moto | | • | Symphony No. 5 in C minor ('Fate'), Op. 67: 3. Allegro | | • | Symphony No. 5 in C minor ('Fate'), Op. 67: 4. Allegro | | • | Symphony No. 8 in F major, Op. 93: 1. Allegro vivace e con brio | | • | Symphony No. 8 in F major, Op. 93: 2. Allegretto scherzando | | • | Symphony No. 8 in F major, Op. 93: 3. Tempo di Menuetto | | • | Symphony No. 8 in F major, Op. 93: 4. Allegro vivace |
Disc 5
| • | German dance for orchestra in C major ('Die Schlittenfahrt'), K. 605/3 | | • | German dance for orchestra in G major ('The Canary'), K. 600/5 | | • | Symphony No. 33 in B flat major, K. 319: 1. Allegro assai | | • | Symphony No. 33 in B flat major, K. 319: 2. Andante con moto | | • | Symphony No. 33 in B flat major, K. 319: 3. Menuetto: Allegro vivace - Trio | | • | Symphony No. 33 in B flat major, K. 319: 4. Finale: Allegro | | • | Symphony No. 9 in C major ('The Great'), D. 944: 1. Andante - Allegro ma non troppo | | • | Symphony No. 9 in C major ('The Great'), D. 944: 2. Andante con moto | | • | Symphony No. 9 in C major ('The Great'), D. 944: 3. Scherzo: Allegro vivace - Trio | | • | Symphony No. 9 in C major ('The Great'), D. 944: 4. Finale: Allegro |
Disc 6
| • | Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Overture | | • | Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 1. Allegro | | • | Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 2. Romanza: Andante | | • | Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 3. Menuetto: Allegretto - Trio | | • | Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 4. Rondo: Allegro | | • | Clarinet Concerto in A major, K. 622: 1. Allegro | | • | Clarinet Concerto in A major, K. 622: 2. Adagio | | • | Clarinet Concerto in A major, K. 622: 3. Rondo: Allegro | | • | Symphony No. 39 in E flat major, K. 543: 1. Adagio - Allegro | | • | Symphony No. 39 in E flat major, K. 543: 2. Andante con moto | | • | Symphony No. 39 in E flat major, K. 543: 3. Menuetto: Allegretto - Trio | | • | Symphony No. 39 in E flat major, K. 543: 4. Finale: Allegro |
Disc 7
| • | España, rhapsody for orchestra, also arranged for 2 pianos | | • | Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions) | | • | Symphony No. 6 in B minor ('Pathétique'), Op. 74: 1. Adagio | | • | Symphony No. 6 in B minor ('Pathétique'), Op. 74: 2. Allegro con grazia | | • | Symphony No. 6 in B minor ('Pathétique'), Op. 74: 3. Allegro molto vivace | | • | Symphony No. 6 in B minor ('Pathétique'), Op. 74: 4. Finale: Adagio lamentoso - Andante |
Disc 8
| • | Symphony No. 9 in D minor ('Choral'), Op. 125: 1. Allegro ma non troppo, un poco maestoso | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: 2. Molto vivace - Presto - Molto vivace - Presto | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: 3. Adagio molto e cantabile - | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: Andante moderato - Tempo 1 - Andante moderato - Adagio | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: 4. Presto - Allegro ma non troppo - Tempo 1 - Vivace - Tempo 1 - Adagio cantabile - Te | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: Presto - Recitativo - Allegro assai | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: Allegro assai vivace. Alla marcia - | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: Andante maestoso - Adagio ma non troppo - | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: Allegro energico, sempre ben marcato - | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: Allegro ma non tanto - Poco adagio - Tempo 1 - Poco adagio - | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: Poco allegro, stringendo il tempo, sempre più allegro - Prestissimo - Maestoso - Prest |
Disc 9
| • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto | | • | The Four Seasons (Il quattro stagione), concertos (4) for violin, strings & continuo ('Il cimento' Nos. 1-4) , Op. 8/1 - 4: Concerto |
Disc 10
| • | Symphony No. 1 in C major: 1. Largo - Allegro vivo | | • | Symphony No. 1 in C major: 2. Scherzo: Vivo | | • | Symphony No. 1 in C major: 3. Andante | | • | Symphony No. 1 in C major: 4. Finale: Allegro moderato | | • | Symphony No. 4 in A major, Op. 53: 1. Lento - Allegro con brio | | • | Symphony No. 4 in A major, Op. 53: 2. Lento molto | | • | Symphony No. 4 in A major, Op. 53: 3. Allegro scherzando | | • | Symphony No. 4 in A major, Op. 53: 4. Allegro molto |
Disc 11
| • | Symphony No. 1 in C major, Op. 21: 1. Adagio molto - Allegro con brio | | • | Symphony No. 1 in C major, Op. 21: 2. Andante cantabile con moto | | • | Symphony No. 1 in C major, Op. 21: 3. Menuetto: Allegro molto vivace - Trio | | • | Symphony No. 1 in C major, Op. 21: 4. Adagio - Allegro molto e vivace | | • | Symphony No. 3 in E flat major ('Eroica'), Op. 55: 1. Allegro con brio | | • | Symphony No. 3 in E flat major ('Eroica'), Op. 55: 2. Marcia funebre: Adagio assai | | • | Symphony No. 3 in E flat major ('Eroica'), Op. 55: 3. Scherzo: Allegro vivace - Trio | | • | Symphony No. 3 in E flat major ('Eroica'), Op. 55: 4. Allegro molto - Poco andante - Presto |
Disc 12
| • | Symphony No. 2 in D major, Op. 36: 1. Poco sostenuto - Vivace | | • | Symphony No. 2 in D major, Op. 36: 2. Larghetto | | • | Symphony No. 2 in D major, Op. 36: 3. Scherzo: Allegro - Trio | | • | Symphony No. 2 in D major, Op. 36: 4. Allegro molto | | • | Symphony No. 7 in A major, Op. 92: 1. Poco sostenuto - Vivace | | • | Symphony No. 7 in A major, Op. 92: 2. Allegretto | | • | Symphony No. 7 in A major, Op. 92: 3. Presto - Assai meno presto | | • | Symphony No. 7 in A major, Op. 92: 4. Allegro con brio |
Disc 13
| • | Symphony No. 4 in B flat major, Op. 60: 1. Adagio - Allegro vivace | | • | Symphony No. 4 in B flat major, Op. 60: 2. Adagio | | • | Symphony No. 4 in B flat major, Op. 60: 3. Menuetto: Allegro vivace - Trio: Un Poco meno allegro | | • | Symphony No. 4 in B flat major, Op. 60: 4. Allegro ma non troppo | | • | Symphony No. 5 in C minor ('Fate'), Op. 67: 1. Allegro con brio | | • | Symphony No. 5 in C minor ('Fate'), Op. 67: 2. Andante con moto | | • | Symphony No. 5 in C minor ('Fate'), Op. 67: 3. Allegro | | • | Symphony No. 5 in C minor ('Fate'), Op. 67: 4. Allegro - Presto |
Disc 14
| • | Symphony No. 6 in F major ('Pastoral'), Op. 68: 1. Awakening of pleasant feelings upon arriving in the country - Allegro ma non tropp | | • | Symphony No. 6 in F major ('Pastoral'), Op. 68: 2. Scene at the Brook - Andante molto mosso | | • | Symphony No. 6 in F major ('Pastoral'), Op. 68: 3. Pesants' Merrymaking - Allegro | | • | Symphony No. 6 in F major ('Pastoral'), Op. 68: 4. The Storm - Allegro | | • | Symphony No. 6 in F major ('Pastoral'), Op. 68: 5. Shepherds' Hymn after the Storm - Allegretto | | • | Symphony No. 8 in F major, Op. 93: 1. Allegro vivace e con brio | | • | Symphony No. 8 in F major, Op. 93: 2. Allegretto scherzando | | • | Symphony No. 8 in F major, Op. 93: 3. Tempo di Menuetto | | • | Symphony No. 8 in F major, Op. 93: 4. Allegro vivace | | • | Egmont, incidental music, Op. 84: Overture |
Disc 15
| • | Symphony No. 9 in D minor ('Choral'), Op. 125: 1. Allegro ma non troppo, un poco maestoso | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: 2. Molto vivace - Presto | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: 3. Adagio molto e cantabile - Andante moderato | | • | Symphony No. 9 in D minor ('Choral'), Op. 125: 4. Presto - Recitativo - Allegro assai - Allegro assai vivace - Alla marcia - Andante |
Disc 16
| • | Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Act 4. Entr'acte | | • | Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Act 3. Entr'acte | | • | Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Act 2. Entr'acte | | • | Carmen Suite for orchestra No. 1 (assembled by Ernest Guirard): Act 1. Prélude | | • | L' Arlésienne, suite for orchestra No. 1, from the incidental music: Prélude | | • | L' Arlésienne, suite for orchestra No. 1, from the incidental music: Minuetto | | • | L' Arlésienne, suite for orchestra No. 1, from the incidental music: Adagietto | | • | L' Arlésienne, suite for orchestra No. 1, from the incidental music: Carillon | | • | L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Pastorale | | • | L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Intermezzo | | • | L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Menuet | | • | L' Arlésienne, suite for orchestra No. 2, from the incidental music (arranged by Ernest Guirard): Farandole | | • | Pagliacci, opera: Intermezzo | | • | Notre Dame, opera: Intermezzo | | • | Khovanshchina, opera in 5 acts, edited by Rimsky-Korsakov: Dance of the Persian Slaves |
Disc 17
| • | Leonore Overture No. 3 in C major, Op. 72b | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Chorale (St. Antoni) | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 1: Poco più animato | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 2: Più vivace | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 3: Con moto | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 4: Andante con moto | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 5: Vivace | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 6: Vivace | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 7: Grazioso | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 8: Presto non troppo | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Finale: Andante | | • | Symphony No. 1 in C minor, Op. 68: 1. Un poco sostenuto - Allegro | | • | Symphony No. 1 in C minor, Op. 68: 2. Andante sostenuto | | • | Symphony No. 1 in C minor, Op. 68: 3. Un poco allegretto e grazioso | | • | Symphony No. 1 in C minor, Op. 68: 4. Adagio - Più andante - Allegro non troppo |
Disc 18
| • | Piano Concerto No. 4 in G major, Op. 58: 1. Allegro moderato | | • | Piano Concerto No. 4 in G major, Op. 58: 2. Andante con moto - | | • | Piano Concerto No. 4 in G major, Op. 58: 3. Rondo: Vivace | | • | Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: 1. Adagio | | • | Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: 2. Adagio un poco mosso - | | • | Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: 3. Rondo: Allegro |
Disc 19
| • | Le carnival romain (Roman Carnival Overture), ouverture catactéristique for orchestra, H.95 (Op. 9) | | • | La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('légende dramatique') H. 111 (Op. 24): Marche | | • | Les Troyens, opera, H. 133a: Royal Hunt & Storm | | • | Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): 1. Rêveries, Passions. Largo | | • | Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): 2. Un bal. Valse. Allegro no | | • | Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): 3. Scène aux champs. Adagio | | • | Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): 4. Marche au supplice. Alleg | | • | Symphonie fantastique for orchestra ('Episode de la vie d'un Artiste...en cinq parties'), H.48 (Op. 14): 5. Songe d'une nuit du sabba |
Disc 20
| • | Symphony No. 2 in D major, Op. 73: 1. Allegro non troppo | | • | Symphony No. 2 in D major, Op. 73: 2. Adagio non troppo | | • | Symphony No. 2 in D major, Op. 73: 3. Allegretto grazioso | | • | Symphony No. 2 in D major, Op. 73: 4. Allegro con spirito | | • | Symphony No. 8 in B minor ('Unfinished'), D. 759: 1. Allegro moderato | | • | Symphony No. 8 in B minor ('Unfinished'), D. 759: 2. Andante con moto |
Disc 21
| • | Symphony No. 4 in E minor, Op. 98: 1. Allegro non troppo | | • | Symphony No. 4 in E minor, Op. 98: 2. Andante moderato | | • | Symphony No. 4 in E minor, Op. 98: 3. Allegro giocoso | | • | Symphony No. 4 in E minor, Op. 98: 4. Allegro energico e passionato - Più allegro | | • | Les Préludes, symphonic poem for orchestra, S. 97 (LW G3) | | • | Pini di Roma (The Pines of Rome), symphonic poem, P. 141: 1. I pini di Villa Borghese | | • | Pini di Roma (The Pines of Rome), symphonic poem, P. 141: 2. I pini presso una catacomba | | • | Pini di Roma (The Pines of Rome), symphonic poem, P. 141: 3. I pini del Gianicola | | • | Pini di Roma (The Pines of Rome), symphonic poem, P. 141: 4. I pini della Via Appia |
Disc 22
| • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction & Theme. Lento maestoso - Allegretto poco lento | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Adagio. Adagio | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: March. Presto alla marcia | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Romance. Allegretto grazioso | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Aria italiana. Allegro brillante | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Bourrée classique. Allegro e pesante | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Wiener Walzer. Lento - Vivace | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Moto perpetuo. Allegro molto | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Funeral March. Andante ritmico | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Chant. Lento | | • | Variations on a Theme by Frank Bridge, for strings, Op. 10: Fugue and Finale. Allegro molto vivace - Lento e solenne | | • | Fantasia on a Theme by Thomas Tallis, for 2 string orchestras | | • | Jeu de cartes (Card Game), ballet in 'three deals' for orchestra: Première donne | | • | Jeu de cartes (Card Game), ballet in 'three deals' for orchestra: Deuxième donne | | • | Jeu de cartes (Card Game), ballet in 'three deals' for orchestra: Troisième donne |
Disc 23
| • | Water Music Suites Nos 1-3 for orchestra, HWV 348-350: 1. Allegro | | • | Water Music Suites Nos 1-3 for orchestra, HWV 348-350: 2. Air | | • | Water Music Suites Nos 1-3 for orchestra, HWV 348-350: 3. Bourrée & Hornpipe | | • | Water Music Suites Nos 1-3 for orchestra, HWV 348-350: 4. Andante espressivo | | • | Water Music Suites Nos 1-3 for orchestra, HWV 348-350: 5. Allegro deciso | | • | Rhapsodie espagnole, for orchestra (or 2 pianos): Prélude à la nuit | | • | Rhapsodie espagnole, for orchestra (or 2 pianos): Malagueña | | • | Rhapsodie espagnole, for orchestra (or 2 pianos): Habañera | | • | Rhapsodie espagnole, for orchestra (or 2 pianos): Feria | | • | La Mer, symphonic sketches (3) for orchestra, L. 109: 1. De l'aube à midi sur la mer | | • | La Mer, symphonic sketches (3) for orchestra, L. 109: 2. Jeux de vagues | | • | La Mer, symphonic sketches (3) for orchestra, L. 109: 3. Dialogue du vent et de la mer |
Disc 24
| • | Háry János, suite from the opera for orchestra: Intermezzo | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 1. Andante tranquillo | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 2. Allegro | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 3. Adagio | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 4. Allegro molto | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 3. Adagio (rehearsal sequence) | | • | Concerto for Orchestra, Sz. 116, BB 127: 1. Introduzione. Andante non troppo - Allegro vivace | | • | Concerto for Orchestra, Sz. 116, BB 127: 2. Giuco delle copie. Allegretto scherzando | | • | Concerto for Orchestra, Sz. 116, BB 127: 3. Elegia. Andante non troppo | | • | Concerto for Orchestra, Sz. 116, BB 127: 4. Intermezzo interotto. Allegretto | | • | Concerto for Orchestra, Sz. 116, BB 127: 5. Finale. Pesante - Presto |
Disc 25
| • | Piano Concerto in C minor: 1. Allegro con brio | | • | Piano Concerto in C minor: 2. Andante tranquillo | | • | Piano Concerto in C minor: 3. Allegro ritmico | | • | Piano Concerto for the left hand | | • | Tannhäuser, opera, WWV 70: Venusberg Music |
Disc 26
| • | Horn Concerto No. 1 in D major, K. 412/514 (K. 386b): 1. Allegro | | • | Horn Concerto No. 1 in D major, K. 412/514 (K. 386b): 2. Rondo. Allegro | | • | Horn Concerto No. 2 in E flat major, K. 417: 1. Allegro maestoso | | • | Horn Concerto No. 2 in E flat major, K. 417: 2. Andante | | • | Horn Concerto No. 2 in E flat major, K. 417: 3. Rondo | | • | Horn Concerto No. 3 in E flat major, K. 447: 1. Allegro | | • | Horn Concerto No. 3 in E flat major, K. 447: 2. Romance (Larghetto) | | • | Horn Concerto No. 3 in E flat major, K. 447: 3. Allegro | | • | Horn Concerto No. 4 in E flat major, K. 495: 1. Allegro moderato | | • | Horn Concerto No. 4 in E flat major, K. 495: 2. Romanze. Andante | | • | Horn Concerto No. 4 in E flat major, K. 495: 3. Rondo. Allegro vivace |
Disc 27
| • | Toy Symphony, (Cassation for toys, 2 oboes, 2 horns & strings) in G major (formerly K. 63): 1. Marche | | • | Toy Symphony, (Cassation for toys, 2 oboes, 2 horns & strings) in G major (formerly K. 63): 2. Menuetto | | • | Toy Symphony, (Cassation for toys, 2 oboes, 2 horns & strings) in G major (formerly K. 63): 3. Allegro | | • | Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 1. Allegro | | • | Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 2. Romanze. Andante | | • | Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 3. Menuetto. Allegretto - Trio | | • | Serenade No. 13 for strings in G major ('Eine kleine Nachtmusik'), K. 525: 4. Rondo. Allegro | | • | Der Zigeunerbaron (The Gypsy Baron), overture to the operetta | | • | Delirien Waltz, for orchestra, Op. 212 | | • | Künstler-Leben (Artists' Life), waltz for orchestra, Op. 316 (RV 316) | | • | Kaiser-Walzer (Emperor Waltz), for orchestra, Op. 437 (RV 437) | | • | Pizzicato Polka for orchestra, Op. 234 | | • | An der schönen, blauen Donau (On the Beautiful, Blue Danube), waltz for orchestra (with chorus ad lib), Op. 314 (RV 314) |
Disc 28
| • | Piano Concerto No. 23 in A major, K. 488: 1. Allegro | | • | Piano Concerto No. 23 in A major, K. 488: 2. Adagio | | • | Piano Concerto No. 23 in A major, K. 488: 3. Presto | | • | Piano Concerto No. 24 in C minor, K. 491: 1. Allegro | | • | Piano Concerto No. 24 in C minor, K. 491: 2. Larghetto | | • | Piano Concerto No. 24 in C minor, K. 491: 3. Allegretto |
Disc 29
| • | Sinfonia concertante for oboe, clarinet, horn, bassoon & orchestra in E flat major, K(3) 297b (K. Anh. C 14.01) (spurious): 1. Allegr | | • | Sinfonia concertante for oboe, clarinet, horn, bassoon & orchestra in E flat major, K(3) 297b (K. Anh. C 14.01) (spurious): 2. Adagio | | • | Sinfonia concertante for oboe, clarinet, horn, bassoon & orchestra in E flat major, K(3) 297b (K. Anh. C 14.01) (spurious): 3. Andant | | • | Clarinet Concerto in A major, K. 622: 1. Allegro | | • | Clarinet Concerto in A major, K. 622: 2. Adagio | | • | Clarinet Concerto in A major, K. 622: 3. Rondo. Allegro |
Disc 30
| • | Symphony No. 35 in D major ('Haffner'), K. 385: 1. Allegro con spirito | | • | Symphony No. 35 in D major ('Haffner'), K. 385: 2. Andante | | • | Symphony No. 35 in D major ('Haffner'), K. 385: 3. Menuetto - Trio | | • | Symphony No. 35 in D major ('Haffner'), K. 385: 4. Finale. Presto | | • | Symphony No. 39 in E flat major, K. 543: 1. Adagio - Allegro | | • | Symphony No. 39 in E flat major, K. 543: 2. Andante | | • | Symphony No. 39 in E flat major, K. 543: 3. Menuetto. Allegretto - Trio | | • | Symphony No. 39 in E flat major, K. 543: 4. Finale. Allegro | | • | Divertimento No. 15 for 2 horns & strings in B flat major ('Lodron Serenade No 2'), K. 287 (K. 271H): 1. Allegro | | • | Divertimento No. 15 for 2 horns & strings in B flat major ('Lodron Serenade No 2'), K. 287 (K. 271H): 2. Thema mit Variationen. Andan | | • | Divertimento No. 15 for 2 horns & strings in B flat major ('Lodron Serenade No 2'), K. 287 (K. 271H): 3. Menuetto - Trio | | • | Divertimento No. 15 for 2 horns & strings in B flat major ('Lodron Serenade No 2'), K. 287 (K. 271H): 4. Adagio | | • | Divertimento No. 15 for 2 horns & strings in B flat major ('Lodron Serenade No 2'), K. 287 (K. 271H): 5. Menuetto - Trio | | • | Divertimento No. 15 for 2 horns & strings in B flat major ('Lodron Serenade No 2'), K. 287 (K. 271H): 6. Andante - Allegro molto |
Disc 31
| • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Promenade - Gnomus - Promenade | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: The Old Castle | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Tuileries | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Bydlo - Promenade | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Ballet of the Unhatched Chicks | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Samuel Goldenberg and Schmuyle | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: The Market Place at Limoges | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: Catacombae - Cum linguis in lingua mortua | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: The Hut on Fowl's Legs | | • | Pictures at an Exhibition (Kartinki s vïstavski), for orchestra, orchestrated by Ravel: The Great Gate of Kiev | | • | Khovanshchina, opera in 5 acts, edited by Rimsky-Korsakov: Act 4. Entr'acte | | • | Peter and the Wolf, children's tale for narrator & orchestra, Op. 67 |
Disc 32
| • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): Ouverture | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 2 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 6 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 8 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 9 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 10 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 12 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 13 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 14 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 16 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 17 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 18 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 22 | | • | Gaîté Parisienne, ballet (music by Offenbach arranged by Manuel Rosenthal): No. 23 | | • | Faust, opera: Ballet Music. No. 1. Les Nubiennes | | • | Faust, opera: Ballet Music. No. 2. Adagio | | • | Faust, opera: Ballet Music. No. 3. Allegretto - Danse antique | | • | Faust, opera: Ballet Music. No. 4. Moderato maestoso - Variations de Cléopâtre | | • | Faust, opera: Ballet Music. No. 5. Moderato con moto - Les Troyens | | • | Faust, opera: Ballet Music. No. 6. Allegretto - Variations du miroir | | • | Faust, opera: Ballet Music. No. 7. Allegretto vivo - Danse de Phryné | | • | Aida, opera: Ballet Music | | • | La Gioconda, opera in 4 acts: Dance of the Hours | | • | Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov): Polovtsian Dance No. 8 | | • | Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov): Polovtsian Dance No. 17 | | • | Tritsch-Tratsch-Polka (Chit-Chat Polka), for orchestra, Op. 214 (RV 214) |
Disc 33
| • | L'italiana in Algeri (The Italian Girl in Algiers), opera: Overture | | • | Semiramide, opera: Overture | | • | Il barbiere di Siviglia (The Barber of Seville), opera: Overture | | • | Guillaume Tell (William Tell), opera: Overture | | • | Guillaume Tell (William Tell), opera: Pas de trois et chur tyrolien | | • | La scala di seta (The Silken Ladder), opera: Overture | | • | La gazza ladra (The Thieving Magpie), opera: Overture |
Disc 34
| • | Piano Concerto in A minor, Op. 54: 1. Allegro affetuoso - Andante espressivo - Allegro (Tempo I) | | • | Piano Concerto in A minor, Op. 54: 2. Intermezzo. Andantino grazioso | | • | Piano Concerto in A minor, Op. 54: 3. Allegro vivace | | • | Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: 1. Allegro maestoso | | • | Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: 2. Andante | | • | Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: 3. Allegro vivace assai |
Disc 35
| • | Piano Concerto in A minor, Op. 54: 1. Allegro affetuoso - Andante espressivo - Allegro (Tempo I) - Più animato - Tempo I - Cadenza - | | • | Piano Concerto in A minor, Op. 54: 2. Intermezzo. Andantino grazioso | | • | Piano Concerto in A minor, Op. 54: 3. Allegro vivace | | • | Symphonic Variations, for piano & orchestra (also arr. for 2 pianos), M. 46 | | • | Piano Concerto in A minor, Op. 16: 1. Allegro molto moderato | | • | Piano Concerto in A minor, Op. 16: 2. Adagio | | • | Piano Concerto in A minor, Op. 16: 3. Allegro moderato molto e marcato |
Disc 36
| • | Symphony No. 2 in D major, Op. 43: 1. Allegretto | | • | Symphony No. 2 in D major, Op. 43: 2. Tempo andante, ma rubato - Andante sostenuto - Allegro - Andante sostenuto | | • | Symphony No. 2 in D major, Op. 43: 3. Vivacissimo - Lento e suave - Tempo primo | | • | Symphony No. 2 in D major, Op. 43: 4. Finale. Allegro moderato | | • | Symphony No. 5 in E flat major, Op. 82: 1. Tempo molto moderato - Largamente - Allegro moderato | | • | Symphony No. 5 in E flat major, Op. 82: 2. Andante mosso, quasi allegretto | | • | Symphony No. 5 in E flat major, Op. 82: 3. Allegro molto |
Disc 37
| • | Finlandia, tone poem for orchestra, Op. 26 | | • | Symphony No. 4 in A minor, Op. 63: 1. Tempo molto moderato, quasi adagio | | • | Symphony No. 4 in A minor, Op. 63: 2. Allegro molto vivace | | • | Symphony No. 4 in A minor, Op. 63: 3. Il tempo largo | | • | Symphony No. 4 in A minor, Op. 63: 4. Allegro | | • | Symphony No. 5 in E flat major, Op. 82: 1. Tempo molto moderato - Largamente - Allegro moderato | | • | Symphony No. 5 in E flat major, Op. 82: 2. Andante mosso, quasi allegretto | | • | Symphony No. 5 in E flat major, Op. 82: 3. Allegro molto - Largamente assai |
Disc 38
| • | Symphony No. 6 in D minor, Op. 104: 1. Allegro molto moderato | | • | Symphony No. 6 in D minor, Op. 104: 2. Allegretto moderato | | • | Symphony No. 6 in D minor, Op. 104: 3. Poco vivace | | • | Symphony No. 6 in D minor, Op. 104: 4. Allegro molto - Allegro assai | | • | Symphony No. 7 in C major, Op. 105: Adagio - Vivacissimo - | | • | Symphony No. 7 in C major, Op. 105: Rallentando all'Adagio - | | • | Symphony No. 7 in C major, Op. 105: Allegro molto moderato - Allegro moderato - | | • | Symphony No. 7 in C major, Op. 105: Presto - Adagio - Largamente molto - Affettuoso | | • | Tapiola, tone poem for orchestra, Op. 112 |
Disc 39
| • | Finlandia, tone poem for orchestra, Op. 26 | | • | Valse Triste, for orchestra (from Kuolema), Op. 44/1 | | • | España, rhapsody for orchestra, also arranged for 2 pianos | | • | Joyeuse marche (Marche française), for orchestra or piano, 4 hands | | • | Radetzky-Marsch, for orchestra, Op. 228 | | • | Goyescas, opera, H. 65: Intermezzo | | • | Schwanda the Bagpiper, opera: Polka | | • | La Traviata, opera: Act 3. Prelude | | • | Les contes d'Hoffmann, opera in 4 acts: Barcarolle | | • | Manon Lescaut, opera: Act 3. Intermezzo | | • | Les Patineurs Valse ('Skater's Waltz'), Op. 183 | | • | Hungarian Rhapsody, for orchestra No. 2 in C sharp minor, S. 359/2 (LW G21/2) | | • | Invitation to the Dance (Aufforderung zum Tanze), for orchestra (orchestrated by Berlioz) | | • | Unter Donner und Blitz (Thunder and Lightning), polka schnell for orchestra, Op. 324 (RV 324) |
Disc 40
| • | Don Juan, tone poem for orchestra, Op. 20 (TrV 156) | | • | Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), tone poem for orchestra, Op. 28 (TrV 171) | | • | Tod und Verklärung (Death and Transfiguration), tone poem for orchestra, Op. 24 (TrV 158) |
Disc 41
| • | Symphony No. 4 in F minor, Op. 36: 1. Andante sostenuto - Moderato con anima | | • | Symphony No. 4 in F minor, Op. 36: 2. Andante in modo di canzona | | • | Symphony No. 4 in F minor, Op. 36: 3. Scherzo: Pizzicato ostinato, allegro | | • | Symphony No. 4 in F minor, Op. 36: 4. Finale: Allegro con fuoco | | • | The Swan Lake, suite, Op. 20a: Scène | | • | The Swan Lake, suite, Op. 20a: Act 1. Valse | | • | The Swan Lake, suite, Op. 20a: Act 2. Danse des petits cygnes | | • | The Swan Lake, suite, Op. 20a: Act 3. Introduction & Danse de la reine des cygnes | | • | The Swan Lake, suite, Op. 20a: Act 3. Danse hongroise (Czárdás) |
Disc 42
| • | Symphony No. 5 in E minor, Op. 64: 1. Andante - Allegro con anima | | • | Symphony No. 5 in E minor, Op. 64: 2. Andante cantabile, con alcuna licenza | | • | Symphony No. 5 in E minor, Op. 64: 3. Valse: Allegro moderato | | • | Symphony No. 5 in E minor, Op. 64: 4. Finale: Andante maestoso - Allegro vivace | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Prologue. Introduction et Fée des Lilas | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Act 1. Pas d'action: Adagio | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Act 3. Pas de caractère (Le Chat botté) | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Act 2. Panorama | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Act 1. Valse |
Disc 43
| • | Symphony No. 6 in B minor ('Pathétique'), Op. 74: 1. Adagio - Allegro non troppo | | • | Symphony No. 6 in B minor ('Pathétique'), Op. 74: 2. Allegro con grazia | | • | Symphony No. 6 in B minor ('Pathétique'), Op. 74: 3. Allegro molto vivace | | • | Symphony No. 6 in B minor ('Pathétique'), Op. 74: 4. Finale: Adagio lamentoso - Andante | | • | Nutcracker, suite from the ballet, Op. 71a: Ouverture | | • | Nutcracker, suite from the ballet, Op. 71a: Marche | | • | Nutcracker, suite from the ballet, Op. 71a: Danse de la fée dragée | | • | Nutcracker, suite from the ballet, Op. 71a: Danse russe | | • | Nutcracker, suite from the ballet, Op. 71a: Danse arabe | | • | Nutcracker, suite from the ballet, Op. 71a: Danse chinoise | | • | Nutcracker, suite from the ballet, Op. 71a: Danse des mirlitons | | • | Nutcracker, suite from the ballet, Op. 71a: Valse des fleurs |
Disc 44
| • | The Swan Lake, suite, Op. 20a: Scène | | • | The Swan Lake, suite, Op. 20a: Act 1. Valse | | • | The Swan Lake, suite, Op. 20a: Act 2. Danse des petitis cygnes | | • | The Swan Lake, suite, Op. 20a: Act 3. Introduction & Danse de la reine des cygnes | | • | The Swan Lake, suite, Op. 20a: Act 3. Danse hongroise (Czardás) | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Prologue. Introduction et Fée des Lilas | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Act 1. Pas d'action: Adagio | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Act 3. Pas de caractère (Le Chat botté) | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Act 2. Panorama | | • | The Sleeping Beauty, suite for orchestra, Op. 66a: Act 1. Valse | | • | Tannhäuser, opera, WWV 70 |
Disc 45
| • | 1812 -- Festival Overture, for orchestra in E flat major, Op. 49 | | • | Leichte Kavallerie (Light Cavalry), operetta: Overture | | • | Orphée aux enfers, operetta: Overture | | • | Symphony No. 38 in D major ('Prague'), K. 504: 1. Adagio - Allegro | | • | Symphony No. 38 in D major ('Prague'), K. 504: 2. Andante | | • | Symphony No. 38 in D major ('Prague'), K. 504: 3. Finale: Presto |
Disc 46
| • | Cavalleria rusticana, opera (melodramma) in 1 act: Intermezzo | | • | L'amico Fritz, opera (commedia lyrica) in 3 acts: Intermezzo | | • | Háry János, suite from the opera for orchestra: Intermezzo | | • | Carmen, opera: Act 4: Prelude | | • | Thaïs, opera in 3 acts: Méditation | | • | Goyescas, opera, H. 65: Intermezzo | | • | Prince Igor, opera (completed by Rimsky-Korsakov & Glazunov): Polovtsian dances | | • | España, rhapsody for orchestra, also arranged for 2 pianos | | • | Joyeuse marche (Marche française), for orchestra or piano, 4 hands | | • | Radetzky-Marsch, for orchestra, Op. 228 | | • | Tritsch-Tratsch-Polka (Chit-Chat Polka), for orchestra, Op. 214 (RV 214) | | • | Unter Donner und Blitz (Thunder and Lightning), polka schnell for orchestra, Op. 324 (RV 324) | | • | Les Patineurs Valse ('Skater's Waltz'), Op. 183 | | • | Leichte Kavallerie (Light Cavalry), operetta: Overture | | • | Schwanda the Bagpiper, opera: Polka |
Disc 47
| • | Concerto for Orchestra, Sz. 116, BB 127: 1. Introduzione: Andante non troppo - Allegro vivace | | • | Concerto for Orchestra, Sz. 116, BB 127: 2. Giuoco delle copie: Allegretto scherzando | | • | Concerto for Orchestra, Sz. 116, BB 127: 3. Elegia: Andante non troppo | | • | Concerto for Orchestra, Sz. 116, BB 127: 4. Intermezzo interrotto: Allegretto | | • | Concerto for Orchestra, Sz. 116, BB 127: 5. Finale: Pesante - Presto | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 1. Andante tranquillo | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 2. Allegro | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 3. Adagio | | • | Music for Strings, Percussion & Celesta, Sz. 106, BB 114: 4. Allegro molto |
Disc 48
| • | Piano Concerto No. 1 in C major, Op. 15: 1. Allegro con brio | | • | Piano Concerto No. 1 in C major, Op. 15: 2. Largo | | • | Piano Concerto No. 1 in C major, Op. 15: 3. Rondo: Allegro scherzando | | • | Piano Concerto No. 2 in B flat major, Op. 19: 1. Allegro con brio | | • | Piano Concerto No. 2 in B flat major, Op. 19: 2. Adagio | | • | Piano Concerto No. 2 in B flat major, Op. 19: 3. Rondo: Molto allegro |
Disc 49
| • | Piano Concerto No. 3 in C minor, Op. 37: 1. Allegro con brio | | • | Piano Concerto No. 3 in C minor, Op. 37: 2. Largo | | • | Piano Concerto No. 3 in C minor, Op. 37: 3. Rondo: Allegro | | • | Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: 1. Allegro | | • | Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: 2. Adagio un poco mosso | | • | Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: 3. Rondo: Allegro |
Disc 50
| • | Piano Concerto No. 4 in G major, Op. 58: 1. Allegro maestoso | | • | Piano Concerto No. 4 in G major, Op. 58: 2. Andante con moto | | • | Piano Concerto No. 4 in G major, Op. 58: 3. Rondo: Vivace | | • | Concerto for piano, violin, cello & orchestra in C major ('Triple Concerto'), Op. 56: 1. Allegro | | • | Concerto for piano, violin, cello & orchestra in C major ('Triple Concerto'), Op. 56: 2. Largo | | • | Concerto for piano, violin, cello & orchestra in C major ('Triple Concerto'), Op. 56: 3. Rondo alla Polacca |
Disc 51
| • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Theme: Andante | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 1: Poco più animato | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 2: Più vivace | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 3: Con moto | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 4: Andante con moto | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 5: Vivace | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 6: Vivace | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 7: Grazioso | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Variation 8: Presto non troppo | | • | Variations on a Theme of Haydn for orchestra in B flat major (St. Anthony Variations), Op. 56a: Finale: Andante | | • | Piano Concerto No. 2 in B flat major, Op. 83: 1. Allegro non troppo | | • | Piano Concerto No. 2 in B flat major, Op. 83: 2. Allegro appassionato | | • | Piano Concerto No. 2 in B flat major, Op. 83: 3. Andante - Più adagio - Tempo 1 | | • | Piano Concerto No. 2 in B flat major, Op. 83: 4. Allegretto grazioso - Un poco più presto |
Disc 52
| • | Tragic Overture, in D minor, Op. 81 | | • | Mathis der Maler, symphony (from opera): 1. Engelskonzert | | • | Mathis der Maler, symphony (from opera): 2. Grablegung | | • | Mathis der Maler, symphony (from opera): 3. Versuchung des heiligen Antonius | | • | Symphony No. 8 in C minor, WAB 108: 1. Allegro moderato | | • | Symphony No. 8 in C minor, WAB 108: 2. Scherzo: Allegro moderato - Trio: Langsam |
Disc 53
| • | Symphony No. 8 in C minor, WAB 108: 3. Adagio Feierchlich langsam, doch nicht schleppend | | • | Symphony No. 8 in C minor, WAB 108: 4. Finale: Feierlich, nicht schnell |
Disc 54
| • | Symphony No. 4 in E flat ('Romantic'), WAB 104: 1. Bewegt, nicht zu schnell | | • | Symphony No. 4 in E flat ('Romantic'), WAB 104: 2. Andante quasi allegretto | | • | Symphony No. 4 in E flat ('Romantic'), WAB 104: 3. Scherzo: Bewegt - Trio: Nicht zu schnell | | • | Symphony No. 4 in E flat ('Romantic'), WAB 104: 4. Finale: Bewegt, doch nicht zu schnell |
Disc 55
| • | Symphony No. 7 in E major, WAB 107: 1. Allego moderato | | • | Symphony No. 7 in E major, WAB 107: 2. Adagio: Sehr feierlich und sehr langsam | | • | Symphony No. 7 in E major, WAB 107: 3. Scherzo: Sehr schnell - Trio: Etwas langsamer | | • | Symphony No. 7 in E major, WAB 107: 4. Finale: Bewegt, doch nicht zu schnell |
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| Customer Reviews:
Showing reviews 1-5 of 15
Packaging is totally fine; amazing opportunity. November 12, 2009 Mr. Eddie (New York, NY) I am not even going to attempt any intelligent criticism of Karajan...but in my opinion this is probably the single greatest box set ever released, a simply jaw-dropping amount of material from one of the world's greatest conductors. No, you do not have to listen to it all at once -- this will be a lifelong companion. And it's not all symphonies either -- plenty of piano concertos, harp, flute, woodwinds here as well.
As for the complaints about the packaging -- seriously guys, get real. The sleeves are high quality, they fit in the box nicely, and the graphic design of the entire package is very understated and classy. Yes, I suppose if you open the thing upside down it could make a mess. But if this is what it takes to bring the price down to (at this writing) less than $2.00 a disc, then so be it. EMI are my heroes for putting out this set. My word -- you think getting well over 100 hours of some of the greatest classical music ever recorded would make people happy. Maybe if it were priced at $379.00 people would have a point. I used to pay $100 for a single Criterion Collection laserdisc. But let's not dwell upon the economics. The real point here is that you now have no excuse not to dive head first into the world of classical music.
I would give this box set about the highest rating I have ever given a single product on Amazon.com.
Karajan - The complete EMI recordings May 18, 2009 E. M. Anersen (Clonbinane, Victoria, Australia) 1 out of 1 found this review helpful
There will be many listeners (especially baby boomers, like me) who first heard large chunks of the standard repetoire on DG records featuring Karajan and the Berlin Philharmonic. Slightly older listeners may have earlier encountered Karajan and the Philharmonia, although i suspect that one would have had to be born in the '20s - and probably in Germany or Austria - to have heard Karajan at teh time of his first recordings.
For those who fit into the above categories can all loudly applaud EMI though, as they will all be able to re-live memories of these recordings. I was thrilled to have newly mastered performances on CD of old LPs that I had worn out long ago, and to have so many of them in one box is just great.
Further, there is proof that once Karajan had set himself a way of approaching each work, his vision remained fairly consistent over the years. Even those who deride Karajan's approach can learn from this set. There are multiple performances of the same work recorded decades apart, mainly with either Vienna Phil, Berlin Phil, or the Philharmonia Orchestras
This immense 88CD set is so inexpensive, that it would be a crime not to buy it!
Great Set With Production Problems from EMI February 25, 2009 Mark E. Stenroos (Laguna Niguel, CA) 3 out of 4 found this review helpful
There's no questioning the value of the recordings on this set. No questioning the sound either - many of these recordings have been remastered and sound better than ever.
HOWEVER - I recommend you check the components of this set as soon as you buy it.
First, some sets come with an incomplete track listing booklet. This is really inexcusable in a set where one has ONLY the booklet as a source for what music is on the individual CDs. The CD booklet SHOULD have 86 pages. The one in my set had only 70 pages and had no listing for the contents of CDs 87 nor 88. The 71st page of the 86-page booklet lists the contents of CD 87. In addition, pages 72-74 (missing in the booklet in my set) give the contents of CD 88 (the documentary), and pages 75-86 include a brief essay by Richard Osborne titled "Karajan and EMI"(in English, German, French).
Also, the track listing for CD 47 is incomplete - the CD opens with Bartok's Concerto for Orchestra, but the booklet is missing the Composer name/Title and the first three movements. Sloppy, sloppy production!
To be missing this important info is really a bummer.
Next, my set came with TWO copies of CD#56 and was MISSING CD#55. An e-mail to EMI requesting they send me a replacement CD and a complete booklet engendered a "sorry, but you need to contact your retailer" response. This is really unacceptable, because there's a good chance that my retailer is going to have a whole stack of sets with the same booklet problem (I might get lucky on the missing CD 55!), and that the retailer is going to ask me to return the whole set for replacement. That means that I will probably receive yet another defective set.
Unfortunately, these production/packing problems serve only to reinforce EMI's reputation as being the company that makes Every Mistake Possible.
On Edit: 4/20/9 - Well, I returned the original copy to [...] for a refund and reordered from Amazon.com. I'm happy to report that everything seems to be in order with the merchandise I received from Amazon. Both sets were produced in Holland, and maybe that's the reason that they are OK. I have a feeling the sets from Tower were produced by Capital in the USA.
So, buy this set from Amazon, and you'll be OK.
A closer look into a great big box of music December 21, 2008 T. Fisher (Washington DC) 6 out of 6 found this review helpful
I have listened to most of the CDs. The sound is excellent on almost all CDs, and very good on most others, although that is in part because I am not bothered by older mono recordings unless there is distracting noise. The performances are all very good, and many are outstanding.
With some oversimplification, there are basically three periods of Karajan EMI recordings:
- post-war 1940s with the Vienna Philharmonic (WP)
- 1950s with EMI's own Philharmonia Orchestra (PO - before it broke with EMI much later)
- a few earlier recordings, but mainly 1970s to 1981 with the Berlin Philharmonic (BPO)
There are a small number of recordings that don't fit into this scheme, like some Ravel pieces with the Paris Symphony Orchestra.
Some of the highlights in terms of the contents:
- Karajan's first recorded Beethoven cycle, with the PO from the 1950s
- A complete set of Beethoven's piano concertos from the 1970s with Alexis Weissenberg and the BPO
- An excellent complete Schubert cycle from 1975-77 with the BPO
- All Sibelius symphonies except No. 3 -- there is quite a bit of overlap here between the PO and the BPO
- All Brahms symphonies (PO) except number 3
- A large array of Mozart works (Symphonies 29, 33, 35, 36, 39-41; horn concertos 1-4, Simphonia Concertante and many more)
- The historic Beethoven Triple Concerto with Oistrakh, Rostropovich and Richter
- Tchaikovsky's last three symphonies (two versions each)
- Dvorak's 8th and 9th (New World), plus Slavonic Dances
- Three Bruckner symphonies (4, 7 and 8), all BPO
- Haydn symphonies 83, 101 and 104
- Schumann symphony 4
- A good selection of overtures from Beethoven, Wagner, Rossini and others
- A large set of tone poems and other programmatic orchestral music (Richard Strauss -- sorry, no Zarathustra -- Sibelius, Debussy, Ravel, Bizet, Mussorgsky, Resphigi, Franck and others)
- Prokofiev's Peter and the Wolf with Peter Ustinov narrating
- A smattering of "moderns", including Stravinsky's "Jeu de Cartes", Vaughan Williams' Tallis Fantasia, Britten, Hindemith's "Mathis der Maler"
Of course this is an incomplete list, but I hope it gives an indication.
If the set is underweighted in any type of music, it might be violin-focused works. Of the standard repertoire violin concertos, only Brahms is present. The Meditation from Thaïs is present as another violin showpiece
The piano fairs better, with the Beethoven set, Tchaikovsky 1, Brahms 2, Rachmaninoff 2, Schumann, Grieg, and two Leimer concertos (including the very interesting concerto for the left hand).
Overall, there is considerable "duplication" in terms of getting the same work multiple times with different orchestras. Most works are included only once, but many are included twice. The repetition gets more pronounced with three versions each of the following pieces:
- Mozart: Symphony 39, the clarinet concerto and "Eine Kleine Nachtmusik"
- Sibelius: Symphony 5
- Tchaikovsky: Symphonies 4 and 6 (Pathetique)
- Strauss II: Several waltzes and polkas (4 versions of "Tritsch-Tratsch Polka" is probably the single most superfluous thing about the set)
- Chabrier: Espana Rhapsody (also 4 versions!)
If you want to know more about individual recordings, here's a tip: do a search for "Karajan EMI" in the Amazon search engine. The reviews of EMI CDs conducted by Karajan will hopefully tell you all you need to know about the individual recordings. If it's ever been available by Karajan on EMI, it will either be in this set or in the companion set Karajan 100th - Volume 2, Opera and Vocals.
I bought this set at a time when I was starting to rebuild a classical CD collection after years of neglect and other interests. I would recommend it absolutely for anyone building their classical collection from scratch or almost scratch, although obviously if you have most of Karajan's best EMI recordings you might well not need this at all. If you don't have any Karajan EMI recordings -- I didn't -- this is a tremendous bargain and a big jump start to a nice collection of music.
Karajan Complete October 27, 2008 Duane E. Crawford (Rolette, ND USA) 0 out of 6 found this review helpful
The 88 CDs I have heard to about 66 before my cd player just rotates butnever stops at a disc. I bought the Opera v. 2 set too.
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