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Bach: Partitas No. 1, 5 & 6 | 
| Creators: Johann Sebastian Bach, Murray Perahia
Label: Sony Classics
Category: Music
List Price: $11.94
Buy New: $10.24
as of 11/28/2009 01:38 CST details
You Save: $1.70 (14%)
New (23) Used (1) from $10.24
Seller: new_world_brokers
Rating:  6 reviews
Sales Rank: 3296
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.5 x 4.9 x 0.4
MPN: 744361
UPC: 886974436126
EAN: 0886974436126
ASIN: B002C4G3PI
Release Date: August 31, 2009
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1): 1. Praeludium | | • | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1): 2. Allemande | | • | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1): 3. Corrente | | • | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1): 4. Sarabande | | • | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1): 5. Menuet 1 & 2 | | • | Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1): 6. Gigue | | • | Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 1. Praeambulum | | • | Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 2. Allemande | | • | Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 3. Corrente | | • | Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 4. Sarabande | | • | Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 5. Tempo di Minuetto | | • | Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 6. Passepied | | • | Partita for keyboard No. 5 in G major, BWV 829 (BC L5): 7. Gigue | | • | Partita for keyboard No. 6 in E minor, BWV 830 (BC L6): 1. Toccata | | • | Partita for keyboard No. 6 in E minor, BWV 830 (BC L6): 2. Allemande | | • | Partita for keyboard No. 6 in E minor, BWV 830 (BC L6): 3. Corrente | | • | Partita for keyboard No. 6 in E minor, BWV 830 (BC L6): 4. Air | | • | Partita for keyboard No. 6 in E minor, BWV 830 (BC L6): 5. Sarabande | | • | Partita for keyboard No. 6 in E minor, BWV 830 (BC L6): 6. Tempo di Gavotta | | • | Partita for keyboard No. 6 in E minor, BWV 830 (BC L6): 7. Gigue |
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| Customer Reviews:
Showing reviews 1-5 of 6
A Great Performance October 13, 2009
Dr. Howard Krimko
2 out of 4 found this review helpful
This is truly a great performance. If you are a lover of keyboard music this should be in your collection.
 Better than expected October 4, 2009
David Lawrence (Ranson WV)
2 out of 7 found this review helpful
I should state at the outset that my instrument was the piano, and I have studied a number of the scores involved. - With the consequence that I have my own view of how I would like to hear them played.
My standard for Bach's keyboard work has been Glenn Gould since I compared his Well-Tempered Clavier with everyone else I could find. With Gould it came alive; with everyone else it stayed historical and dead.
Angela Hewitt has raised the standard noticeably, but I find her approach, while appropriate and pleasing in many passages, overall not red-blooded enough.
Perahia is a definite advance: as delicate as Hewitt when necessary, but with enough (well, almost enough) firmness in the right places. -And with his own distinctive style. In my opinion he's currently the best out there.
I've ordered the second cd of the Partitas, and will eventually get the keyboard concertos.
Great series October 4, 2009
M. Baran (SoCal)
0 out of 6 found this review helpful
Review of Bach's partitas are proving to be top-shelf. Perahia again issues a first-rate performance.
Bach at its best September 25, 2009
Dr. Ivor E. Zetler (Sydney Australia)
7 out of 8 found this review helpful
Any new release by Murray Perahia should be a cause for celebration. His ventures into the recording studio are relatively infrequent but the results are invariably distinguished. This issue of Bach partitas is no exception; it is a joy from start to finish.
Perahia expertly conveys the varying moods of Bach's compositions. His approach is non eccentric and he has the ability to clearly articulate the music's various melodic strands. The pianism is alert, vivid and elegant. As with with the previous Perahia/Bach releases, the piano tone is warm, clear and realistic. Strongly recommended.
Finishing the set in style September 20, 2009
Larry VanDeSande (Mason, Michigan United States)
15 out of 15 found this review helpful
Murray Perahia recorded three of the Bach partitas a few years back after recovery from a hand injury -- Bach: Partitas Nos. 2-4 -- and now he's back to finish the set. Again this time, Perahia uses his trademark intelligence, style, technique and beauty of sound to create a recording that can stand with any extant recording of this music. Using the limpid fragility he portrays in Chopin and Mozart, Perhaia travels through Bach's magnificent creations in an almost dream-like trance, giving you Bach's notes, his humanity, and Perahia's singular approach that combine for memorable playing and memorable Bach.
Like he did a few years ago with Partitas 2, 3 and 4, Perhaia shows you Bach's imprint and counterpoint as only he can. While he doesn't portray the prestidigation of Glenn Gould Bach: Partitas Nos. 4, 5, 6 or the manic rush to judgment by the likes of Martha Argerich J.S. Bach: Toccata, Partita, English Suite 2/ Martha Argerich, he wallows in sound while he demonstrates the left hand-right hand counterpoint that all Bach players must master.
Not everyone will enjoy this and you probably know if you don't like this way with Bach. If unsure, listeners with an interest in more mercurial playing, greater reliance on technique, and stricter adherence to counterpoint may be better served elsewhere, either by Gould or in a newer recording from Seattle professor Craig Sheppard J.S. Bach: The Six Keyboard Partitas. Sheppard is a fine player and his recording has deservedly won plaudits everywhere.
However, Perahia is at least as accomplished a player as Sheppard, has consistently demonstrated powerhouse ability across a wider span of composers and styles, and the professor is not close to Perahia as a colorist, image-maker and sound technician. Where Sheppard's playing is perfect, he doesn't project the other possibilities in the scores, nor does he seem interested in portraying the humanity of J.S. Bach in his playing.
Bach was the most intellectual of all the great composers, sometimes composing music strictly as an intellectual exercise for himself (The Art of Fugue, among others) and many players only see this side of him in their music-making. But Bach was also a dogmatic Lutheran, a strict believer in the almighty, and the father of more than 20 children. He even spent a night in jail once in a dispute over music! These qualities grounded Johann Sebastian among the rest of us and made him more of an everyman than most great composers, who tend to stride atop Mt. Olympus. These humanistic qualities must also be available when realizing the art of J.S. Bach and they are on display from Perahia.
Even though I graded this five stars, I have heard other recordings of these three partitas that I find more convincing that offer perhaps greater longlasting enjoyment. For Partita 1, I'd recommend Dubravka Tomsic's fabulous concert on an inexpensive disk Bach: Italian Concerto; Partita BWV 825; Toccata BWV 912. For the Partita 5, I'd recommend Andras Schiff's first recording of the partita in 1984 Andás Schiff Plays Bach. For the titanic Partita 6, you should heard Elena Kuschnerova's concert Elena Kuschnerova.
Nevertheless, this is a magnificent recording of some of the greatest keyboard music on this planet. Every great pianist at some point should record one or more of Bach's partitas, which have rightly been compared to Beethoven's 32 piano sonatas for the way their traverse time, space, emotion and mental processes of the respective composers. Anyone putting out the incredibly low asking price for this recording will not be disappointed, in my opinion, even if Perahia's liquid tone and trance-like approach isn't your cup of tea.
Showing reviews 1-5 of 6
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